Guitar has been a challenge with endless growth opportunities for me. I assure you I've run into 16 year olds who after two years of playing blow me away with a natural God given talen,way beyond what I will ever achieve, much less possess. It also taught me humility- to not try to be better than you, rather to continuously be better than "me". With everything from guitar lessons to gear reviews Marty will help strengthen your musical muscles. Host Marty Schwartz is a modern classic who combines his love and knowledge of music to help others improve their musical abilities. It's like working on your own personal, lifelong puzzle. Marty Music is the premier destination for guitar instruction on YouTube. Better than a puppy, or even Jack Daniels! (Eventually turning to 12 steps, of course. Made raising my three kids more fun too! Come on! Daddy taking the kids to the park, yeah, the beach! Can easily watch babies all day if I got a guitar to jam on. What a friend- at the beach, campfires, parties, biker events, parks, downtown sidewalk benches (Romeo, Mich), family events, the list goes on and on, and on and on (it's a highway song.) Guitar has always helped me to easily feel part of the scene, to fit in, rather than be just a spectator. These lessons have helped me tremendously, to keep my one true love alive. Wow! I never new until a year or so ago that Kashmire was so beautifully simple. Coolist thing is many of my renditions were "close" and now with the advent of the internet I have, and still do to this day, rework more accurately those old masterpieces. Always has been a progressive, meditative tool & and good friend most my life. I kept spiral notebooks full of "in process " songs. ![]() Back in my day, we'd often have to catch songs when they aired our favorite stations and write down a few more of the lyrics and progressions' sometimes for years. I'm not great, or a rockstar, but when practiced up do sound pretty decent I must say. ![]() This is how to carve out your own niche when you are creating improvised solos.I love YouTube. Similarly, FIGURE 10 presents a standard phrase, and FIGURES 11 and 12 offer twisted deviations.Īs a rule, try to avoid anything you’ve heard anyone else play before, unless it’s something you really like and want to play out of choice. We can start with a predictable lick like FIGURE 7 and twist it up to get FIGURES 8 and 9. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright. for a record buildup by taking vocal lessons at the Granoff School of Music here. It’s actually very closely related to a Bm7, if you watch closely. Vara-TV will show CBS musical shorts of Tony Bennett, Dave Brubeck. Basically what he’s doing here is modifying a normal open D chord and then inverting it, so that you end up with this cool form that you can do a lot more with. If we move the hammer/pull up one fret, we get FIGURE 6, another nice variation on the original idea. Marty is pretty laid back in this lesson, as usual, so don’t feel any pressure as you’re trying to learn the guitar. We can now easily switch a few notes around and end up with FIGURE 5, which is a bit more complex and interesting. To my ears, this lick sounds more interesting than the “standard” lick shown in FIGURE 4. ![]() Notice that I’ve moved the initial hammer/pull on beat one to the 11th and 12th frets (as opposed to the 10th and 11th) and then, on beat two, I added the 12th fret high E note to the beginning of the legato phrase to end up with a five-note shape. Make it more interesting and unpredictable by simply changing the order of the notes slightly, as I do in FIGURE 3. There’s nothing particularly wrong with the lick, but I’d prefer to FIGURE 2 represents a lick that we have all heard a million times. ![]() There are about five billion different things you can do with just these five notes. Let me demonstrate this concept for you.įIGURE 1 illustrates a common lick, based on the A blues scale (A C D Eb E G), that you’ll typically hear in metal, rock, blues, jazz and country. I prefer to view the fretboard in smaller pieces, thinking of just a group of a few frets as a roadmap to little side streets and alleyways, and to concentrate on those little places. A key concept for me when playing the guitar is to avoid looking at the fretboard as a big block of space across which you need to know dozens of scales and modes.
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